Eternal Dreams: Why Do I Care?

Friday, October 22, 2010

Why Do I Care?

Why do I still care about you when you don’t love me?
The eyes bleed, the heart aches everyday,
Your memories flash back with vengeance, and
leave me helpless on the ground, writhing in pain.

Why do you still come and haunt me?
In my dreams, so loud and vibrant –
as if it was real and I want to get your touch,
Yet a huge barrier separates our two worlds.

Why does your voice still ring in my ears?
A thousand sounds can’t drive it away,
I shut my ears trying to impede, it only gets louder -
and my soul burns for that was the sweetest tone….

Why am I still alive even if you are not here?
To stand as a pillar as a testimony to our failed love, maybe –
a living example of a body already lifeless
But the night seems long and the walk seems hard….
Why do I still care about you when you don’t love me?

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A Dialogue Of Self & Soul

i{My Soul} I summon to the winding ancient stair;
Set all your mind upon the steep ascent,
Upon the broken, crumbling battlement,
Upon the breathless starlit air,
'Upon the star that marks the hidden pole;
Fix every wandering thought upon
That quarter where all thought is done:
Who can distinguish darkness from the soul
i{My Self}. The consecretes blade upon my knees
Is Sato's ancient blade, still as it was,
Still razor-keen, still like a looking-glass
Unspotted by the centuries;
That flowering, silken, old embroidery, torn
From some court-lady's dress and round
The wodden scabbard bound and wound
Can, tattered, still protect, faded adorn
i{My Soul.} Why should the imagination of a man
Long past his prime remember things that are
Emblematical of love and war?
Think of ancestral night that can,
If but imagination scorn the earth
And interllect is wandering
To this and that and t'other thing,
Deliver from the crime of death and birth.
i{My self.} Montashigi, third of his family, fashioned it
Five hundred years ago, about it lie
Flowers from I know not what embroidery --
Heart's purple -- and all these I set
For emblems of the day against the tower
Emblematical of the night,
And claim as by a soldier's right
A charter to commit the crime once more.
i{My Soul.} Such fullness in that quarter overflows
And falls into the basin of the mind
That man is stricken deaf and dumb and blind,
For intellect no longer knows
i{Is} from the i{Ought,} or i{knower} from the i{Known -- }
That is to say, ascends to Heaven;
Only the dead can be forgiven;
But when I think of that my tongue's a stone.
i{My Self.} A living man is blind and drinks his drop.
What matter if the ditches are impure?
What matter if I live it all once more?
Endure that toil of growing up;
The ignominy of boyhood; the distress
Of boyhood changing into man;
The unfinished man and his pain
Brought face to face with his own clumsiness;
The finished man among his enemies? --
How in the name of Heaven can he escape
That defiling and disfigured shape
The mirror of malicious eyes
Casts upon his eyes until at last
He thinks that shape must be his shape?
And what's the good of an escape
If honour find him in the wintry blast?
I am content to live it all again
And yet again, if it be life to pitch
Into the frog-spawn of a blind man's ditch,
A blind man battering blind men;
Or into that most fecund ditch of all,
The folly that man does
Or must suffer, if he woos
A proud woman not kindred of his soul.
I am content to follow to its source
Every event in action or in thought;
Measure the lot; forgive myself the lot!
When such as I cast out remorse
So great a sweetness flows into the breast
We must laugh and we must sing,
We are blest by everything,
Everything we look upon is blest.

----William Butler Yeats----

Pretty women wonder where my secret lies.
I'm not cute or built to suit a fashion model's size
But when I start to tell them,
They think I'm telling lies.
I say,
It's in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It's the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

Men themselves have wondered
What they see in me.
They try so much
But they can't touch
My inner mystery.
When I try to show them
They say they still can't see.
I say,
It's in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I'm a woman

Phenomenally.
Phenomenal woman,
That's me.

Now you understand
Just why my head's not bowed.
I don't shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
I say,
It's in the click of my heels,
The bend of my hair,the palm of my hand,
The need of my care,
'Cause I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

----Maya Angelou----

A Dream Within A Dream

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow--
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand--
How few! yet how they creep
Through my fingers to the deep,
While I weep--while I weep!O God! can I not grasp
Them with a tighter clasp?
O God! can I not saveOne from the pitiless wave?
Is all that we see or seemBut a dream within a dream?

----Edgar Allan Poe----

I come from haunts of coot and hern,
I make a sudden sally
And sparkle out among the fern,
To bicker down a valley.

By thirty hills I hurry down,
Or slip between the ridges,
By twenty thorpes, a little town,
And half a hundred bridges.

Till last by Philip's farm I flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.

I chatter over stony ways,
In little sharps and trebles,
I bubble into eddying bays
I babble on the pebbles.

With many a curve my banks I fret
By many a field and fallow,
And many a fairy foreland set
With willow-weed and mallow.

I chatter, chatter, as I flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.

I wind about, and in and out,
With here a blossom sailing,
And here and there a lusty trout,
And here and there a grayling,

And here and there a foamy flake
Upon me, as I travel
With many a silvery waterbreak
Above the golden gravel,

And draw them all along, and flow
To join the brimming river
For men may come and men may go,
But I go on for ever.

I steal by lawns and grassy plots,
I slide by hazel covers;
I move the sweet forget-me-nots
That grow for happy lovers.

I slip, I slide, I gloom, I glance,
Among my skimming swallows;
I make the netted sunbeam dance
Against my sandy shallows.

I murmur under moon and stars
In brambly wildernesses;
I linger by my shingly bars;
I loiter round my cresses;

And out again I curve and flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.

----Alfred Lord Tennyson----

I wish to be the air you breathe
Love that floods your every cell
Revitalising you, cheering you up
Every second of your life

I love like the rush of the Nile, Yangtze -
Listen, listen to this lovelorn heart,
Holding on, letting go, holding on
With such tenacity to the hope
Of every lovelorn night

An eclipse helps distill
My love for you,
Seals your charms, allure
From the craving prying eyes
Of world, precipitates that
Momentuous silhouette, escapade for me and you
Sun and moon, yin and yang
To be totally absorbed
In bliss, in each other

Love, love, love
If only i could be the only star
To win your fancy
For that sparkling while
Heaven the world would become

----John Tiong Chunghoo----

I Do Not Love You Except Because I Love You

I do not love you except because I love you;
I go from loving to not loving you,
From waiting to not waiting for you
My heart moves from cold to fire.

I love you only because it's you the one I love;
I hate you deeply, and hating you
Bend to you, and the measure of my changing love for you
Is that I do not see you but love you blindly.

Maybe January light will consume
My heart with its cruel
Ray, stealing my key to true calm.

In this part of the story I am the one who
Dies, the only one, and I will die of love because I love you,
Because I love you, Love, in fire and blood.

----Pablo Neruda----

Let Me Die A Young Man's Death

Let me die a youngman's death
not a clean and in between
the sheets holywater death
not a famous-last-words
peaceful out of breath death

When I'm 73
and in constant good tumour
may I be mown down at dawn
by a bright red sports car
on my way home
from an allnight party

Or when I'm 91
with silver hair
and sitting in a barber's chair
may rival gangsters
with hamfisted tommyguns burst in
and give me a short back and insides

Or when I'm 104
and banned from the Cavern
may my mistress
catching me in bed with her daughter
and fearing for her son
cut me up into little pieces
and throw away every piece but one
Let me die a youngman's death
not a free from sin tiptoe in
candle wax and waning death
not a curtains drawn by angels borne
'what a nice way to go' death

----Roger McGough----

The Way You Make Me Feel

You make me feel special,
You make me feel new,
You make me feel loved,
With everything you do.

You hold me close when I am sad.
You wipe the tears from my face
.Every time we are together,
It seems like the perfect place.

My eyes light up when you enter a room.
I smile when we are together.
No matter how bad things are,
You always make them better.

I love the way you kiss me,
The way you hold me tight.
I love the way you touch me,
I could be with you all night.

I love the way you can make me laugh
For absolutely no reason at all.
I love how no matter what I do,
You will be there to catch me when I fall.

I just want you to know,
That even though we sometimes fight,
I will always love you!
No matter what, day or night.

----Amanda Standrige----

Eternal Dreams

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Friday, October 22, 2010

Why Do I Care?

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